Friday, 3 January 2014

Annotated Script

Here are some photographs of my annotated script. Some images are difficult to read, so I will type what I have written on the script underneath the image.
 
  • I wave and laugh in delight.
  • I put my hand on my chest, my face reacting to the sweetness of this moment.
  • I do a belly laugh (leaning back).
  • I look intrigued.


  • I reluctantly cover my eyes. Other villagers give me a playful warning, prompting me to cover my eyes fully.
  • I uncover my eyes. My mouth is wide open in shock.
  • I jump back in horror, clinging to my fellow villagers.
  • I say to the villagers next to me, "Gasp! She called her a monster!"
  • I look at The Baroness, terrified as to what she will do next.
  • I look intrigued.



  •  I gasp.
  • I shake my head, thinking "Poor Cinders".
  • I watch in fear as The Baroness gets up, after she had previously fainted.



  • I cringe with embarrassment for them.
  • I continue cringing.



Thursday, 2 January 2014

Evaluation

The task of The Year 1 Performing Arts Students was to put on a production of 'The Cinderella Pantomime'. We were to participate in lessons that helped us to improve on our acting, dancing and singing skills, as well as numerous rehearsal sessions. We had to write a blog, as evidence of the rehearsal process and also to track our progress. Finally, we had to perform in 9 shows, to an audience, using all of the knowledge we had gained as of then (at college and prior to college).

Our first task was to read through the script, with the class ( in which I read as the baroness) and then to prepare for an audition, which would ultimately decide the role we would take on for The Panto. I prepared to audition as 'The Baroness' alone and as 'The Fairy God Mother' in a group. I prepared for both parts, by reading through the entire script twice, choosing the characters I thought I could bring the most to and then reading through all of their lines, until I knew them. I watched various films, such as 'Ella Enchanted' (for The Baroness), 'Roger And Hammersmith's 1997 Cinderella' (For The Baroness and The Fairy Godmother) and TV shows ( For The Fairy Godmother's more comedic side) to help me with the development of my character. Then I practised in front of a mirror to improve on my facial expressions and physicality and improvised with them to better my characterisation. I was called to audition for the Baroness twice, instead of for both characters and was unsuccessful. As a result I was cast as a 'Villager'.

Then, once we knew our roles we began 'blocking' (blocking is the process of planning where, when, and how actors will move about the stage during a performance) The Panto. Once the director was satisfied with this, we started to run through The Panto, without the songs. Afterwards, The Main Chorus and Villagers (including myself) were given choreography for the dances and asked to learn the songs, as we were going to sing and dance at the same time.

Somewhere in between, running The through The Panto and rehearsing for the dances and songs, we were 'Hot-seated' (when you are asked about your character's background, behaviour and motivation, and you are expected to answer the questions 'in character' on the spot). As we were told that this would happen prior to the time, I prepared for this by practising in front of a mirror, working to develop the character I already used during rehearsals. I had also written about the background, and personality of my character, so I had an idea of what to say. I found this exercise truly beneficial as it helped me discover things about my character that I had not already written down.

My character was called Veronica Anastasia Greene and was aged 27. I decided to use a cockney accent, as I thought it suited her job as a market trader. She was quite tomboyish, outspoken, cheeky, friendly and always happy. However, she had a dark past. She had been a thief since she was 14 and was subsequently disowned by her family, which caused her to move to Merrivale. As a result, she wanted nothing but to please her fellow villagers in Merrivale as she longed for the warmth and love of a family again. She went as far as to steel vegetables and bread, just so that she could give them to the villagers for free. She also had a job as a waitress, which she thoroughly enjoyed.

Over time, I made some dramatic changes to my character and some were more subtle ones. Most notably, by the last few weeks. I made sure that she had a huge smile on her face nearly all of the time, to show how elated she was to be a villager of Merrivale and to be singing and dancing. I also made her much more melodramatic, so that she overreacted at everything (e.g. when the Baroness came she jumped back, hand shaking and looked incredibly shocked). This was to make me stand out more, as before, my acting style was more suitable for a contemporary performance, as my movements and expressions were more subtle.  Through the process of developing my character I tried to experiment with my facial expressions and physicality (the physical actions of a character, specifically those which convey information about certain aspects of a character. It's the way they behave, and act physically- physical movements communicate aspects of the characters, usually their emotional state), where I learnt that some of my facial expression/ neutral face can make me look, evil, moody and miserable (not suitable for Panto). I also learnt that sometimes my movements come across as week, and as a result make me appear less confident and less experienced. To improve this I made better use of 'the tonic body' (steady rigid muscle contractions with no relaxation, used on the stage, especially when the character is angry or frightened). Watching The Gorden Craige's "Cinderella Pantomime' helped me to get better acquainted with the atmosphere of Panto. It also helped a great deal with my facial expressions, as I watched how confident The Chorus appeared when they had wide eyes, and huge smiles on their faces.


I tried to keep this smile on my face through the entire show of every show, with the exception of reacting shocked, gossipping or looking intrigued.


Learning the dances was probably the most challenging thing for me, as I am still very slow at picking up choreography. I found it quite frustrating as it took me an average of running through the dances 30 times before I knew them fully. However, I took the time to rehearse at home in front of the mirror and during my breaks at college. Recording myself also helped me to see where I was making mistakes and which movements I could improve on. I also found singing and dancing at the same time a challenge, but I recorded myself singing the songs at home, until I knew the lyrics and sung from my diaphragm to help me to project and I breathed from my abdominal muscles in order to better my breath control when singing.


From Recording videos of myself practising the dances, I realised that I appeared to be a much more confident dancer when I kept a smile on my face throughout. Therefore I tried to remember to do this, while singing during the actual shows.

When It came to the shows I found that overall, the intentions of The Writer and Director were portrayed clearly by the actors. However, I thought that certain parts of The Pantomime and some characters were misunderstood by the audience and so this affected the flow of each show. In a few of the shows the scenes fell flat and so the comedy of the pantomime was lost. This was a more likely occurrence, when the audience were less responsive and verbal. Some scenes were more difficult to understand than others, but when the comedy timing was right- these were the most well received scenes of all. Members of The Chorus identified areas that we needed to improve on as a group, and did. We were also quite professional, in continuing to run through the show, even when when members of the audience walked out and some of us walked on late for the opening dance to Act 2. I could have better contributed to picking up the energy in flat scenes. However ,I did attempt to make every one of my performances better than the last. At times this did not happen, but usually it was the shows that I had warmed up backstage (chewing to relax the jaw and massaging the face to release tension and to make it easier to make bigger facial expressions) that I felt I performed the best in. I felt that in the first few shows, I had more energy than in previous rehearsals, but not as much as I needed. The more shows that we did, the more energy, physicality and facial expressions I used.

My main strengths are my experience and my ability to work hard to improve myself as a performer and the way in which I dedicate myself to the task set. My many years of acting experience on the stage and in drama clubs, helps me to deal with nerves, create unique characters and to identify the things that I can do which work well with audiences and those things that do not work so well. This can also be my downfall, as this can leave me inhibited, stopping me from performing my best or going on stage in the first place (during improvisation exercises) as I become almost certain that my idea will not work. Once I realise which aspects of performance I need to improve on, I will spend hours working on it until I am satisfied. For example, I would go through new dances up to 20 times a day, in front of a mirror, everyday until I knew them completely. I took time to look up youtube tutorials to help me to better my singing and dancing ability. I spent a lot of break times practising my facial expressions in the mirror and the dances with my friends, helping them with the moves that they were confused about, once I knew the dances thoroughly. I also wrote on my blog nearly everyday after college since late September, so that I could track my progress.

My main weakness is my lack confidence within myself. Although I am quite a confident actress, due to my experience, I find that my lack of confidence as a person causes me to doubt myself and makes it very difficult for me to put myself forward. I have however become better at putting myself forward as I volunteered to take part in 'In.De.Pen.Dance' at the Alban Arena and for filming in Royston. I still need to be more willing to volunteer to improvise (a performance without planning or preparation). Sight-reading, I find very difficult due to my poor reading ability, I find it hard to understand that which I am reading in the first instance and so that which I am reading makes little sense to me and this is probably reflected in my voice. As a result I find it difficult to get into character straight away when reading through a script for the first time, as I demonstrated when reading as 'The Baroness' as my voice was very uncontrolled and all over the place and I stumbled on my words a lot. However I have taken time to read more monologues and articles out loud in my free time to help to better my reading skills. Another major weakness of mine is the time it takes me to pick up choreography. I can improve this by trying to pick up choreography from tutorials without having to rewind, which will force me to learn the routine quicker. I need to work on my posture when acting and also my physicality as often my movements are week. I can improve this by adopting the tonic body. I also need to be aware of my facial expressions and try not to look evil, moody or miserable, unless requires.

In conclusion, I believe that I have learnt a lot during the rehearsal process of 'The Cinderella Panto', as well as during The Shows themselves. I learnt singing and dancing techniques that I was not previously aware of and I also became aware of different acting techniques. The shows received positive reviews from audience members and I ended up putting on a better performance than I would have done at the beginning of September, due to all the new techniques I have learnt. There are still many elements that I need to improve on, but I will work hard to do this, to make sure that the next show I am involved in, I put on a better performance.

Saturday, 14 December 2013

The Last Day Of 'The Cinderella Pantomime'

The day began with warm-ups in order to prepare us for the performance ahead. One exercises we participated in involved us squeezing our bottoms in and tucking in our tail bones. This automatically allows you to keep your stomach muscles engaged, which helps you to project your voice across the stage. We also did some tongue twisters to aid us in improving our articulation (the formation of clear and distinct sounds in speech) and sung to warm up our vocal chords.

For the first performance I thought that I put a lot of energy into the dancing, singing and acting. I was confident as I applied all of the technique that I had learnt and put in all the energy I had to give. I was extremely confident with my characterisation by this point and decided to use only the best reactions that I had come up with in previous shows, as well as some more imaginitive reactions. In order to improve on my singing and dancing even further, I practised in front of a mirror in my free time. I also made sure that I practised my chorus reactions in the mirror to see how I appeared onstage.

The last ever performance, I felt, was one of my best in regards to the dancing, but not so much for the singing and the acting. I was unable to sing as loudly as I have in the other shows, as my throat became soar. I could have done some extra vocal exercises previously in order to prevent this. I feel that my movements could have been sharper when reacting and I could have made greater use of 'The Tonic Body'. However, everyone gave their all and made this show a fantastic ending to a wonderful show.

 
Here is a photo of my friends from college and I in our Act One Costumes for Panto.

Friday, 13 December 2013

Friday's Matinee And Evening Show

The day began with some warm-ups to help us to release tension in our bodies and to make us feel like we had more energy on the stage. We sung songs, while engaging our diaphragms and opening our mouths wide to make sure that  our voices projected across the stage. We also stretched and hummed in order to warm up our voices. When humming it is important that you feel the vibration in your lips, so that you know that you are using the correct technique and you should engage your anchoring muscles, which include the diaphragm, abdominal muscles and the back muscles.

During the Matinee, I found that we had less space on the stage as extra rows of seats were added. In the dances I had to make some of my movements a lot smaller, in order to avoid falling into The Audience. I felt that I concentrated heavily on the acting, rather than both acting and dancing. I felt that my dancing lacked energy and I found myself focusing on the dance moves more than the singing as I haven't been able to go through each dance 20 times a day, as I did before the shows began. Therefore, during my free time I went through each dance twice in the mirror, until I was satisfied with the energy I was putting into them.

During the evening show I concentrated on the acting, dancing and singing equally. Although there was a mishap during 'Let Me Entertain You', where most of the Chorus Members (including myself), missed our cue, I put more energy into the dances than in any other show so far. I need to make sure that I aim to put this amount of energy into every dance in future shows. However I do need to work on my breath control when dancing (especially in the final number). I can achieve this by doing breathing exercises before each show and in silence backstage.

Thursday, 12 December 2013

This Week So Far (Including The Dress Run and The First Set Of Shows)

On Saturday we helped to Set Build. This is part of our course as it helps us to understand the hard work that goes into creating an appropriate atmosphere for a show. It is also a new skill for us to learn. Here is a photograph of The Set by the end of Saturday.

 
On Monday, we continued Set Building and later participated in a tech rehearsal (a rehearsal that focuses on the technological aspects of the performance, in theatrical, musical, and filmed entertainment). We went from cue to cue, so that the Davinci Students knew when to use what lighting effect. It was the longest tech rehearsal I have ever done, which is likely to mirror the length of tech rehearsals in professional theatre. The lighting changed the mood of the performance and made it feel more like an actual show.
 
This web page explains what a Tech Rehearsal is in detail:
 

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On Tuesday we did a dress rehearsal (a full rehearsal, in costume, where you are expected to give a performance at the same level as you would a show), as The Director made last minute changes. Then we did another Cue to Cue. However, this time it involved the Davinci Students figuring out what music and sound effects to use and when. The music changed the atmosphere incredibly and it especially aids the actors in getting the response they hope to receive (e.g. funny music helps to make the audience laugh at the funny characters). Also, some changes had been made to the opening and closing numbers' dances. Therefore, I must do my best to learn this choreography at a much faster pace than usual. Practising the new steps when ever I have time, will help me to achieve this.
 
During the dress rehearsal, I made sure that I warmed up backstage, chewing and massaging my face in order to loosen up the jaw area and the face. This would make it easier to make huge facial expressions and also, I tend to have a lot of tension in my jaw area, which can prevent me from singing to the best of my ability and make me sound strained. I hit my marks, which was necessary, in order to avois complications with lighting effects.
 
I put as much effort into this Dress Rehearsal, as I would of done in an actual show. I smiled consistently and made varied, but big facial expressions. I remained focused and in character, even as I exited the stage. I also remembered all of my cues. I put as much energy into the singing and dancing as I did the acting and made a conscious effort to project as much as I could, as it it were an actual show. 
 
I took careful consideration in to keeping the correct posture throughout the songs and the acting scenes. I remembered some of the improvisation that I had previously done with my character and tried to apply some of theses details to myperformance for a greater variety of reactions. I also adopted, 'the tonic body', so that  my movements were sharper, clearer and bigger, so that they would come across more to an audience.
 
I remembered to engage my diaphragm as I sang and danced for better control and I remembered to put as much energy into the dances as possible, as I find that my dancing improves quite a bit, when I do this. As always, I remembered to dance on the balls of my feet, to spot as I turned and also to point my feet where appropriate.
 
 
 
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Wednesday was the day of our first show. Again, my lack of nerves affected my energy as I had no adrenaline rush. Although I generally perform better when I have an adrenaline rush, I could warm up backstage to gain as much energy as possible. Therefore I did silent warm ups, including 'pretend chewing'  and stretching to release tension in my whole body. I could of performed better in the first show as my reactions were not the best I have made.
 
In the second show, I performed worse than the first show, as my reactions were not as big as they had been in the past. By The Opening of The Second Act, half of The Audience members (school children) had left, as their coach was ready to leave. However, I still gave applied the same level of energy to the performance as I did prior to the first school's departure. Half way through the second act, the other school had to leave (the other half of the audience), due to their coach arriving to pick them up. We were left with one audience member, but we all pulled together to give her as good a performance as a full crowd and continued as normal.   
 
However, the last show, I felt, was the best performance yet for me as my reactions were bigger. They were more varied and I was more focused than in the first two show. The audience were the most vocal yet and were enthusiastic about getting involved. I believe that this helped me a great deal, as performers tend to feed  from the energy of their audience. Though it is important to put all of my energy into every show, no matter how little the audience participate, as they are probably enjoying it, but are less vocal about it.  
 
 
 
These Pictures were taken during our first set of shows. I thought that my shocked reactions were suitable for my character during the entrance of The Baroness, as Veronica (my character) is quite overwhelmed my how horrible she is and always overreacts in such situations, due to her lack of intelligence. I feel that my reactions could have been bigger and more varied, in the show these pictures were taken during. However, in future shows I did put a lot of effort into making my reactions more varied, yet still appropriate for my character.
 
 
Today during the Matinee (a showing of a theatrical performance in the afternoon) we were faced with a difficult audience, which is something I've experienced a few times before. As I have done in previous performances, I decided to treat this performance like any other, and not to hold back in fear of what audience members might shout out. My reactions were much more spontaneous and in- character than those which I had demonstrated on the previous day.
 
Today's evening show, I felt, was my personal best performance yet, as I found new reactions for my character, which were sharper and bigger than before. I am setting myself a personal goal to make sure that I aim to continue perform at this level at the very least, but that I keep trying for better. Also the final dance was the best it has been yet and so I must push myself as an individual to make this dance the best it can be in every show.



Saturday, 7 December 2013

'The Cinderella Pantomime' At The Gordon Craig Theatre

Last week Saturday we went on a trip to watch 'The Cinderella Pantomime' At The Gordon Craig Theatre, in Stevenage. We watched the show in order to observe the way in which The Actors performed, so that we could creatively interpret some of their ideas into our own performance. It also gave us a greater insight into the atmosphere created in Pantomime.

I had to observe The Chorus. The Dances were well executed, which is something that I must remember to improve on myself. Also, they smiled virtually all the time, and they showed that they were listening to what the main characters had to say. From this, I realise that I need to appear to be an extremely happy character, no matter what my reaction may be (i.e if I have to be horrified, I still need to look like a nice character, who is horrified) and I need to make sure that my focus is on the 'speaking character', which I can show more clearly, by leaning in at times (as The Chorus did at The Gordon Craig) and moving my head slightly to turn towards the person who is speaking.

Here is an image of a promotional poster of 'The Cinderella Pantomime' at The Gordon Craig Theatre.
 
 
 


Friday, 6 December 2013

Dress Rehearsal Of The Cinderella Pantomime And Dance Practice

Today we did our first dress rehearsal and we ran through all of The Dances in The Panto. The end of The Dance to 'I Gotta Feeling' has been changed, so it is important that I go through this at home. I made mistakes in all of the dances, so I will run through them during the weekend at least 5 times a day, so that I will be very confident with all of them.

Here is a video of The Dance to 'I Gotta Feeling'. I am definitely more confident with this dance than I was a few weeks ago. My movements are sharper. However I need to make sure that I bend down straight away so that dancers can jump over me. Also, this video demonstrates my improvement in getting into the correct position, as previously today I was not in line with the other dancers.
 http://www.youtube.com/watch?v=nIXx9P3xQ30&list=UUsc6As_10ht676BbLjDH3iQ

Here is a video of me dancing to 'Reach'. I have improved since the first time we did it, as it took me a long time to learn the correct choreography. However, i need to go over some of the movements to make sure that they are the same as everyone elses. I also need to work on my timing for this dance. I can watch this video back, so that I can learn the exact movements and timing.
http://www.youtube.com/watch?v=B_YMQWYHYwc&list=UUsc6As_10ht676BbLjDH3iQ

Here is a video of me dancing to 'Let Me Entertain You'. I also need to go over some of these dance moves to make sure that they are the same as the other dancers'. The end of the dance has been changed, so I must remember not to get it confused with the previous ending. In addition, I need to work on my strut at the beginning, as it isn't sharp enough.

Here is a video of me rehearsing the dance to 'You Can't Stop The Beat'. I need to work on my timing for this dance and I also need to make sure that I am doing the correct movement especially the first time we sing 'And if you try to hold me down, I'm gonna spit in your eye and say....', as I am definitely dancing that part incorrectly at the moment, so I will go through it during the weekend.
http://www.youtube.com/watch?v=pEnmUqqHAvk&list=UUsc6As_10ht676BbLjDH3iQ

Then, we did the dress rehearsal of Act One and Act Two of 'The Cinderella Pantomime'. During the first run, I didn't make as many facial expressions as I usually do and I made mistakes with the dances. However, in the second run of Act One I made more facial varied facial expressions. It is important to use the energy that I used in the second run in every run through, so I need to warm up backstage, if that is what is necessary for me to give 100% every time.